*Here is a selection of my favourite photos I took in Africa, interspersed with the story about how I got better as I went along*
As some of you may already have read, I arrived in Africa seven weeks ago with a fat Canon camera that I had no idea how to use. Frankly, it scared me, so for the first week I wilfully ignored and neglected it.
But then, in Botswana, I met Bill from Texas, and he forced me to make friends with it, this Canon EOS 40D with a 70-200 lens.
He explained the whole aperture/shutter speed/IOS stuff to me, but because it involves numbers, my brain rejected the information.
I am a complete retard with numbers.
I can’t add up. I can’t subtract. I can’t convert currencies. I can’t split bills or calculate tips. I can’t read out phone numbers correctly. The other week, I forgot the pin number for my bank card, the one I have used every day for six months. Poof. Gone. Had to get a new one sent.
My brain can be trundling along, drafting articles, working things out, generally being normal, and then someone approaches me with numbers of any sort (“what route shall we take, the A1 or the M40?”) and my brain screams to a halt.
So I say to my brain, “Now, now, come on. This isn’t even adding up. Answer the question.”
And my petulant brain replies, “NOPE”, and slams the door.
So the fact that shutter speed is represented by horrors such as ‘1/1000’, and aperture might be an ‘f20’ or an ‘f5’ – poses a problem.
Luckily, Bill changed the settings on my camera so that it would be more likely to capture nice photos when I pointed it at things, so I forgot everything he told me but stuck to these settings, and got some really good ones.
Then I spent a few days with my friend, and Europe’s best-selling wildlife photographer, David Yarrow. I thought this would spell a breakthrough, and that he could teach me everything properly.
When I proudly offered him my favourite photo so far, one which I think is out-of-this-world good, he basically told me it was shit, and that was that. This makes David sound like a dick. He’s not. But he makes an absolutely dreadful teacher.
THEN, I met Faizel while I was in Mozambique, at Azura’s Benguerra Island resort. And he changed everything.
Faziel is very worldly, speaks lots of languages, is an excellent photographer, and was once an English teacher.
We met late at night, just as I was plotting my decent into bedtime, so when we got to talking about my big fat camera and he offered to give me a quick lesson, my brain said ‘NOPE’.
Maybe tomorrow, I suggested.
I’m not quite how he does it, but Faizel can read my mind. I’ve noticed this happen multiple times since.
It’s extraordinary – and this is coming from someone who doesn’t believe in god, ghosts or horoscopes; so the notion of someone being psychic makes my brain say ‘NOPE’, and slam the door.
But I’ll be sitting there, pondering something totally random and unconnected to what were last talking about (‘hmm… shall I drink that glass of water? I don’t want it to alter this perfect stage of tipsy in which I find myself’) and he will just reply to me as if I’d been talking out loud (‘drinking water does not interfere with a wine buzz’).
That wasn’t a hypothetical example. That exact sequence actually happened. I wasn’t even looking at the glass of water. How did he know that’s what I was thinking about?
So naturally, Faizel had me a pegged within ten minutes of meeting me. Lazy-brained, putter-offer, short cut-taker, stubborn procrastinator.
The best thing to do with a wayward student like me (ask any of my school teachers) is to ignore their whining, block their escape route, sit them down, and tell them to cut the crap. Kind of like how you train puppies.
Once you do that, I quite like learning. So what Faizel did was this.
He told me I was not going to bed yet, and got out a sheet of paper. Then he went through all the basics (aperture/shutter speed/ISO), writing it down as he went along so I could keep referring back to it.
When I mentioned my aversion to numbers, and how it makes my brain say ‘NOPE’, he found a different way around.
“Aperture is basically how much light the camera lets in,” he explained. Sure. Lots of people have told me that.
“So think of it like this. You’re trying to get 1,000 drunk Londoners into Wembley Stadium (Faziel always uses examples which mean something to me specifically, so I remember them better) – if you use a small door, it’s going to take you longer, right?”
“If you use a bigger door, the people will flood through faster. The people are the light particles. The door is the aperture.”
My homework was to go and sit outside my villa the following morning, paper booklet in hand, and take shit tons of photos of the same thing (birds) using all the different settings.
So I did. The whole thing still baffles me. My brain still says ‘NOPE’ on a regular basis, when I’m fiddling with my aperture numbers.
But now, I trick it by turning the light particles into people and the lens into a football stadium, and if I’m still confused, I consult my paper booklet.
So the combination of Bill from Texas’ camera settings, Faizel’s revolutionary teaching approach, and pure practice, has resulted in some quite nice photos of Africa.
I’m at the end of it now, so I thought I’d share my favourites.
This one’s for you, Faizel.
10 thoughts on “Proof that even a total camera spaz can learn to take good photos… a pictorial round-up of Africa”
Love the photos! Thanks for sharing!
Great photos! Wow!
The photos are brilliant – well done.
I’m visiting Africa in 3 months and wondering if my 200 mm lens is enough. I see you used the same size lens, would you recommend I go bigger or is 200 adequate for the job?
Thank you! 200 was def adequate for me…
Like you, I don’t know my way around the technical aspects of a camera so I hope I do as well as you. Thanks.
Your photos are beautiful! I can so relate! I am also horrible with numbers and a trip to Africa was also my motivation to force myself to learn how to use my camera and understand photography basics. I wasn’t lucky enough to have a great teacher, but worked and worked at it with the help of two great online sources, Digital Photography School and Creative Live.